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What Steadman didn’t know was that the original artist had been sacked and the magazine was in a panic. Despite never having been anywhere near Las Vegas, he set to, and four days later sent off his drawings. “I was quite pleased with them, I remember. I thought I’d managed to complement the style of Hunter’s writing.” When the drawings arrived, Thompson anxiously unrolled them. “Ye gods,” he recalled. “Every one of them was perfect.” Fear and Loathing in Las Vegas was a huge hit and the two of them became friends. Under Thompson’s influence, Steadman’s work changed. “My drawing got stronger, less flaccid. He exposed me to the screaming lifestyle of the US.” But it was a friendship that came at quite a cost – to Steadman anyway.
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