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In the 1840s, the street boys of Chelsea were familiar with a local figure. He was “an elderly gentlemen, short and stout, with a red face and a curious prominent nose” whom they knew as “Puggy” Booth, and was called, with greater respect, “Admiral” Booth by the local tradesmen. He lived with a widow, presumed to be his wife, in a little house on the waterfront in an area known as the World’s End. None of them were aware that this bluff codger with an air of the sea about him was in reality the greatest painter in England: Joseph Mallord William Turner RA.
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