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One of the things a grouping of otherwise unrelated books can do is to tell a story about what is happening in fiction. The last six contenders for the Man Booker 2013 held the possibility of a new way of thinking about experimentation. Both Tテウibテュn's The Testament of Mary and Crace's Harvest were short-form riffs on large-scale storytelling, biblical in subject or mythical in flavour, the former very much about evidence and imagining, and how to rely on the products of one's mind. Ozeki's A Tale for the Time Being spanned the century and the globe, included footnotes in Japanese and appendices about quantum mechanics. Bulawayo's We Need New Names created new words, forged a language in the voice of a girl from a Zimbabwean slum. And Lahiri's The Lowland, which seemed traditional at first, was, in the words of Booker Chair Robert Macfarlane, experimental by virtue of its patience.
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