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Despite the photographer’s feelings of elation and relief at finally finding the subject of the image that for almost 20 years had been one of the key works in his oeuvre, he did not spend long with Gula. “Our conversation then was brief, and unemotional. She remembered me, because our last meeting was the only time in her life she had ever been photographed, and I was possibly the only foreigner she’d ever come in contact with. When she saw the photo for the first time, she was a little embarrassed by her red shawl. A cooking fire had burnt it, she said.”
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