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If "Blue Jasmine" is starting to sound like an anatomy of a nation where the grandest canyon lies between the superwealthy and the downwardly mobile working class, it is certainly that, as well as a brilliantly effective star vehicle. But the movie's observations about economic disparity are cloaked in zestful comedy that's broad or stiletto-sharp. In Mr. Allen's recent films his localesテ「ツツ韮arcelona, London, Paris, Romeテ「ツツ派ave added piquant flavors to his characters. This time the mix has changed. San Francisco and New York get to pose for a few beauty shots, but they're basically backgrounds for a tourism that's focused, as if with X-ray binoculars, on the imperatives of class and the foibles of human nature. (Javier Aguirresarobe did the cinematography. The production designer was Santo Loquasto. Sonia Grande designed the costumes.)
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