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A little later, in Vienna, during the filming of another of his screenplays, the ensemble drama 360, Morgan broached the idea with that film’s producer, Andrew Eaton, who said yes immediately. Back in London they partnered with Eric Fellner, who had produced the Formula One documentary Senna, and hired Paul Greengrass as director. When he moved on to direct the Somali pirate drama Captain Phillips, the two-time Oscar-winning Hollywood stalwart Ron Howard was brought on board for what is, essentially, an independent British film, albeit one with a $50 million budget – a huge amount by UK standards. ‘That was always our dream, to have at the heart of it a director focused on making a big picture, but for it not to feel old-fashioned. So Andrew surrounded Ron with the most progressive, brilliant crew,’ Morgan says.
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