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Almost every practising critic is guilty of playing along with the Oscar blather to some degree, but it depends if the little gold chaps are viewed as some end or holy grail in themselves, or merely a means to open up the conversation about each particular film's merits. Mightn't it be almost better, I wonder, if we treated the victory of 12 Years A Slave as more or less a fait accompli, and then spent the next four months forgetting about the horse race and actually thinking about the movies?
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