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Of course, the original album isnテ「ツツ冲 as horrible as legend has it. What it was was a grab bag: covers of traditional country and folk tunes and songs by some of Dylanテ「ツツ冱 more-or-less contemporaries, including Paul Simon and Gordon Lightfoot, plus a few originals and several more revamped versions of older Dylan songs, including テ「ツツ廰ike a Rolling Stone,テ「ツツ� from a 1969 concert with the Band. He also threw in sincere if slightly corny versions of Rodgers and Hartテ「ツツ冱 テ「ツツ廝lue Moonテ「ツツ� and テ「ツツ廰et It Be Me,テ「ツツ� a bombastic French song that had been a hit for the Everly Brothers with English lyrics. Here and there, adding strings and such, the album has an old-fashioned pop sheen, the sort of sounds Dylan might have heard listening to radio growing up in Minnesota in the 1940s and 50sテ「ツツ背hich, in the context of 1970, is maybe the most radical statement Dylan has ever made, no longer preaching to the converted. Itテ「ツツ冱 no surprise he has since confessed a fondness for Frank Sinatra, Bobby Vee, and Ricky Nelson, among other singers who never played the Newport Folk Festival.
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